Description:
Abstract: "The
genre
copy
thachin
or
?copy
song”
pervades
the
popular
mu
sic
scene
in
Myanmar.
These
songs
are
akin
to
cover
versions
of
existing
international
hits,
but
with
new
lyrics
in
the
Burmese
language,
and
performed
by
Burmese
musicians.
These
songs
can
have
incredible
genre-‐crossing
capabilities,
from
blues
to
rap,
heavy
metal
to
salsa.
The
current
situation
for
popular
music
production
in
Myanmar,
as
elsewhere,
is
connected
with
the
country?s
history
of
military
rule
and
years
of
censorship
and
economic
difficulties.
Advocates
for
the
genre
of
copy
thachin
argue
that
borrowing
international
songs
allowed
local
artists
to
learn
about
global
popular
music,
and
the
numerous
popular
musicians
and
songwriters
in
Myanmar
are
testament
to
this.
On
the
other
hand,
with
the
removal
of
the
stringent
censorship
regime
and
the
increasing
contact
with
international
consumer
culture,
groups
of
Myanmar
music
fans
are
increasingly
critical
of
copy
thachin,
seeing
the
practice
as
derivative
and
an
embarrassment.
This
article
will
explore
the
history
of
the
genre,
notions
of
authenticity,
and
dis
cuss
Myanmar?s
changing
relationship
with
the
symbolic
capital
of
its
own
culture
industry
and
its
relationship
with
international
popular
culture.".....Paper delivered at the International Conference on Burma/Myanmar Studies: Burma/Myanmar in Transition: Connectivity, Changes and Challenges: University Academic Service Centre (UNISERV), Chiang Mai University, Thailand, 24-26 July 2015.
Source/publisher:
International Conference on Burma/Myanmar Studies: Burma/Myanmar in Transition: Connectivity, Changes and Challenges: University Academic Service Centre (UNISERV), Chiang Mai University, Thailand, 24-26 July 2015
Date of Publication:
2015-07-26
Date of entry:
2015-08-10
Grouping:
- Individual Documents
Category:
Language:
English
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Format:
pdf
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788.13 KB